This sounds like great research. I have no suggestions other than that perhaps it might be interesting to look at some of the scholarly engagements with power as a concept within museum studies as well, even if only as an aside. There are quite a few academics working on this as they study the history and theory of museums. Donald Preziosi, Sally Price, Caroline Ford, Saloni Mathur, Eilean Hooper-Greenhill, Barbara Kirschenblatt-Gimblett etc. Edward Linenthal and Tom Engelhardt's book
History Wars could be a good place to start-- you might even find some of the case studies you are curious to survey there.
I would be keen to assert that this question about power is at the foundations of museum studies, which, aside from raw economic solvency and the whims of popular popular culture, is the core profession that is the motor force behind why museums now feel compelled to change.
The bigger problem for museum studies however, I think, which makes addressing research questions like this entirely within its envelope difficult, if not impossible, is that the field doesn't actually have a concrete theory of its own that it can draw upon to explain itself. Its constitutive incompleteness, I think is in truth, its greatest strength-- and this is what I argued in my own research on the topic in my dissertation. However, it does mean that museum studies is forced to pirate concepts and formations from other disciplines and before it can then seek to translate them for its own ends. So, speaking from experience, you end up having to read somewhat widely in order to even formulate a concise question that is legible to a wide audience.
I also am sincerely interested in what it is that orients museums that are not-human centered in the way that we desire them to be? I think in order to do the topic of power dynamics in museums justice that it's going to require some theoretical engagement. The reply to this question, which is a question that is enthymemetic in your statement, is terrain where some of that could occur. What are museums that are not human-centered, centered on, and why? What orients them in this way? I think you are right to assert this, and I'm curious what the dialectical counterpart is to human-centered? For instance, this statement that museums should be more human-centered seems to be a recent development that emerged out of increasing usages of digital technology in museological spaces. But, I think you could argue that the problem the statement addresses certainly pre-existed the digital.
Anyways, thanks for coming to my ted talk. This an area I'm extremely interested in. I'm a recent PhD grad in Cultural Studies, and my dissertation was accompanied by media studies and museum studies certificates, and was a study weaving together analyses of museums, digital tech, and cultural theory.
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Seth Alt PhD
Dr. Alt
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Original Message:
Sent: 08-17-2022 12:26 PM
From: Rebekah Harding
Subject: Thinking Deeply about Power Dynamics in Museums
Hello Museum Friends,
I am currently researching and writing a book on the relationship between power dynamics and human-centered leadership and I am looking for some additional examples/case studies. I recognize that this work may be new for most organizations and I believe their is power in sharing the imperfect action steps we are taking as we collectively build a more human-centered museum field for its workers.
I am looking for organizations that may be willing to share their experience or thoughts on the following:
- Prioritizing wellness of museum workers and its ROI
- Developing employee engagement pathways to foster career growth
- HR-led management or leadership development programs for museum workers
- Non-hierarchical organizational charts
- human-centered employee policies that may include dress code, PTO, remote or hybrid work, salary transparency, gender neutral bathrooms, paid paternity leave, subsidized child care, flexible schedules
Thank you in advance for your help.
Best,
Rebekah Harding