Great conversation! I recently submitted an abstract to AASLH for the call for articles to emerging museum professionals and this was the exact subject I broached. I have often said - and have heard colleagues say - "wow, I wish there had been a class for that" in the museum field. I identified several areas that I feel museum educators must focus more closely on:
Technology:
Technology is unavoidable in any profession and in the museum field it has become especially poignant. Today, Museums are charged with providing content that is more accessible and available. Most museum professionals understand the importance of access, but there is not always a clear path to providing access. Museum professionals need to have a process towards successfully providing digital content.
Equally, programs such as SketchUp and the Adobe Creative Cloud are imperative to good exhibit design; however, many museum studies programs do not offer classes in graphic design. Today, job descriptions for exhibit design require graphic design skills. Emerging museum professionals are often dumbfounded when searching for positions in this area. How can we curb the design gap?
Administration:
Basic administration experience is imperative in any field, but especially so when managing patrons, donors, events, and programs. Emerging museum professionals often begin their journey with their undergraduate degree and transition directly into graduate school. This gap can be prohibitive when applying for museums that require project management and administrative skills. How can we expand our administrative acumen with a unique focus on museum administration?
Fabrication:
Putting an idea to paper is the first step in exhibit design, but making it a reality is something different altogether. When it comes to exhibit fabrication, there's a fundamental lack of understanding for basic construction, three-dimensional design, using power tools and the confidence to construct our ideas. How do we make ourselves more capable?
Development:
Museum development is a necessary component in the museum field; yet, development is often relegated to senior professionals. Development skills that ensure the longevity of the museum should be shared with emerging professionals. How can we encourage senior museum professionals to "pass the torch?"
I would love to see this as a session at AAM or AASLH.
Thanks for posting!
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Monica Drake Pierce
Lake Wales Museum & Cultural Center
Lake Wales FL
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Original Message:
Sent: 08-21-2017 11:33 AM
From: Kenneth Libben
Subject: What Do You Wish You Learned in College?
Hello all,
I've been working with a nearby, rather prestigious liberal arts college that wants to turn focus more on preparing students for the real world (rather than just grad school). I've been acting as a guest lecturer for a Public History course, primarily discussing exhibit design, but recently met with the professor to discuss other skills. In essence, her question to me was, "What do you wish you learned in college?" What would have helped me either find a job faster, or succeed at that job once I landed it?
To be clear, this is an undergraduate program and falls only under the History major, not a Museum Studies major. Obviously the answers will vary depending on what focus the students want to go towards, what type of museums or other professional settings they want to work with, etc. While every student dreams of one day working at the Smithsonian or other major museum, I believe the goal is more or less what will help them get a job, even if it's at a small museum?
I struggled with the question, off the top of my head anyways...because not only is it a matter of answering what skills I wish I had, but also how do we (the professor and/or I) help the students gain those skills.
Here are a few I came up with--please feel free to add your own, or to comment on mine:
- Public Speaking -- it is vital for staff, particularly at a small museum, to be able to effectively engage visitors and potential donors.
- Grant Writing -- I think we can all agree how vital grants are to the success of any non-profit, and grant writing is always in demand.
- Core Documents -- this is a bit of a stretch, but the ability to formulate, or even understand, the Core Documents would be helpful.
- Archival Basics -- basics of how to handle collections, understanding materials (i.e. acid free) and environmental concerns (UV, humidity, etc).
From my experience, public speaking is actually one of the most difficult tasks I have when training new interns. Fortunately, the professor is already planning on expanding the public speaking requirements of this class. Archival Basics are somewhat covered by this course and another one taught at the school, which include a trip to the college's Special Collections department with some handling of documents...but there is always room for improvement. As for Grant Writing and Core Documents, we are discussing having the class (usually 15-20 students) in essence establish a fake museum. As a class they could all establish the basics and background of the museum, including a mission statement, and then split into four groups to cover the other four Core Documents. After that they would cover grants and be could all write fake grant requests (using actual grant requirements). In addition to my own experience as a grant writer, I serve on a grant-giving foundation and have enough contacts on other foundations that I could form a "panel" to judge the requests and provide feedback to the students. At the very least these should help at least give them a better understanding of some of the requirements and behind-the-scenes activities of running a museum.
Sorry, I know this was a long post! Looking forward to hearing any thoughts or suggestions...hands-on activities are always helpful!
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Kenneth Libben , Curator
Cleo Redd Fisher Museum - Mohican Historical Society
Loudonville OH
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