Dear Barbara,
My name is David Brinker and I'm the Assistant Director of the Museum of Contemporary Religious Art (MOCRA). MOCRA is (to the best of our knowledge) the world's first interfaith museum of contemporary art that engages religious and spiritual themes. Located on the campus of Saint Louis University in St. Louis, MO, MOCRA opened in 1993 and is dedicated to the ongoing dialogue between contemporary artists and the world's faith traditions, and to serving as a forum for interfaith understanding. We have presented nearly 50 exhibitions in our first two decades and still feel like we've barely begun to explore the range of ways in which today's artists continue to engage the various faith traditions and other aspects of the spiritual dimensions of our human existence.
I invite you to explore our past exhibitions on our website. Many people are (pleasantly) surprised at the wide range of artists, media, and approaches to religion and/or spirituality represented in our exhibitions and collection. You might also browse our podcast, MOCRA Voices, for a variety of perspectives on recognizing and expressing the religious and spiritual dimensions in contemporary art.
Beyond MOCRA, I know LUMA in Chicago has already been mentioned in this thread. LUMA and MOCRA have had some fruitful collaborations on exhibitions over the years -- we congratulate LUMA as they celebrate their tenth anniversary this fall.
In case you've not yet come across it, I'd also recommend the book Reluctant Partners: Art and Religion in Dialogue, edited by Ena Heller, former Director of the recently closed Museum of Biblical Art and now Bruce A. Beal Director of the Cornell Fine Arts Museum at Rollins College, Winter Park/Orlando, Florida.
Good luck with the project. I look forward to seeing the book when it is published.
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David Brinker
Assistant Director
Museum of Contemporary Religious Art
Saint Louis MO
http://mocra.slu.edu
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Original Message:
Sent: 08-28-2015 02:34 PM
From: Barbara Franco
Subject: Interpretation of Religion
I am working with a number of collaborators on a book on “Interpreting Religion at Historic Sites and Museums" for the interpreting history series published by Rowman & Littlefield.
We are looking for examples of historic sites and museums that include some aspect of religion as part of their interpretation in programs, exhibits, tours, and other educational materials. The definition of religion for this study is broad and includes any faith practices, both individual and institutional, drawn from a variety of faith traditions. We are particularly interested in the experiences of museums with audiences of both members and non-members of faith traditions.
Barbara Franco
Independent Scholar/Museum Consultant
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Barbara Franco
Harrisburg, PA
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