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  • 1.  Window film in museums and historic houses

    Posted 08-16-2023 06:55 AM

    We are considering the use of window films for an historic property (1881-1884 construction) we are restoring and plan to open as a museum.  The windows have PPG glass which was installed during a 1936-38 restoration.  If anyone would like to share their experience with window films or their thoughts about using these films, all comments are welcome!

     

    Ellen J. Henry, MFA

    Curator

    Ponce de Leon Inlet Lighthouse Preservation Association

    4931 South Peninsula Drive

    Ponce Inlet, FL 32127

    386-761-1821 ext. 17

    ellen@ponceinlet.org

     

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  • 2.  RE: Window film in museums and historic houses

    Posted 08-16-2023 03:05 PM
    Hi,
    You probably want to read this document as part of it deals with your question:
    Ultraviolet Filters – Canadian Conservation Institute (CCI) Notes 2/1
    Good luck...
    --

    Jean-Luc Vincent


    Administrateur du SIA
    Direction, Archéologie , Collections et Conservation
    Direction générale des affaires autochtones et du patrimoine culturel
    Parcs Canada, Gouvernement du Canada
    2630, chemin Sheffield, Ottawa, Ontario, K1B 3V7
    Messages: jeanluc.vincent.parcsparks@gmail.com / Cell. non fiable 613-720-4418 / Fax 613-990-6627

    Je travail dans le territoire non cédé et non rendu du peuple Anishinaabe ou Algonquin.

    AIS Administrator
    Archaeology, Collections and Curatorial Branch
    Indigenous Affairs and Cultural Heritage Directorate
    Parks Canada, Government of Canada
    2630 Sheffield Road, Ottawa, Ontario, K1B 3V7
    Messages: jeanluc.vincent.parcsparks@gmail.com / Cell. unreliable 613-720-4418 / Fax 613-990-6627

    I work in the unceded and unsurrendered territory of the Anishinaabe or Algonquin people.


    450 000 km2 de souvenirs
     / 450 000 km2 of memories




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  • 3.  RE: Window film in museums and historic houses

    Posted 08-17-2023 08:23 AM
    I'm not sure how they would work on plate glass, but we had them installed PROFESSIONALLY on an 1884 structure and they were great.  You will have to have them tested (or test yourself) for UV "leak" after about 10 years.  They do change the light visually, if that's an issue for you



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  • 4.  RE: Window film in museums and historic houses

    Posted 08-17-2023 02:58 PM

    Ellen, Jean-Luc's recommendation to follow the recommendations of the CCI Notes is an excellent one, and I can only add to that some personal thoughts from practical application of many types of light-mitigation materials. When I began using filtering film, it was mostly in the form of roller shades; the thought was that installation was easy (although the first vendor insisted on having their own installer do it -- what a waste of money!), and shades could be raised if need be, for periods of maintenance or changing exhibitions. I found a spot where a couple of units could be installed, and waited to see the reaction of our director and board members. No one noticed -- a good thing. When informed about the installation, and queried about the appearance, the board's consensus was that the medium-density film was "too bright". So we went with the denser film, which was what I wanted all along. 

    In other light-filtering applications, I used non-roller film panels, exterior acrylic panels with film applied (a bit risky, but they lasted twice as long as the five-year expected life), and (semi-)rigid acrylic panels, suspended on double-hung window sash, and even one adhesive film applied to a modern window. I also used shading fabric roller shades, too, if you would like to hear about that. There were various installation challenges, such as century-old bronze window frames, two hundred year-old woodwork surrounding some windows, and so forth. Although I had heard that removing failing, old film was a tough and risky job, I was fortunate in never having had to do it. I was also fortunate that neither the director nor the board members complained about the look of the filtered windows -- even from the exterior. Maybe that was just luck, but I'll take it.

    If I may be of further assistance, please don't hesitate to get in touch -- abmacleish@verizon.net 

    Best,

    Bruce



    ------------------------------
    Bruce MacLeish
    Curator Emeritus, Newport Restoration Foundation
    Cooperstown NY
    ------------------------------

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