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  • 1.  what is taboo?

    Posted 04-19-2018 12:36 PM

    Does anyone have a policy that governs decisions about free speech vs. respecting the potential emotional harm of their viewers? I have read many things that include guiding principles-but what is used to actually decide when there are grey areas?

     

    I would like to read more about how to "define" or make decisions about what is acceptable to have openly on display, versus what might require a warning and/or covering that needs to be moved to view the object. I might be forced to write a "policy" and I've read a few things, like this http://ncac.org/resource/museum-best-practices-for-managing-controversy I found helpful, but I can't seem to find what I am looking for in terms of really specific guidance. Perhaps a case study? If we decide to cover something in one context-do we have to cover a similar thing in a different context? Do people remember this kind of thing?

     

    Keep in mind -we are a public building and some of our exhibit spaces aren't designed only as exhibit spaces and people can't "choose" to pass or avoid an exhibit-so we are trying to make some guidelines for materials that might need warnings or covers. We believe in our students and faculties right to free speech, so properly contextualized, so far we have been willing to display everything they have asked for. But right now we are putting up a student curated/created display from a class on the history of women and medicine-which amongst other things that are not controversial, it also includes one panel on abortion, one panel on ejaculation and of course, plenty of female anatomy.  Part of their context is in looking at how women's access to information has changed over the years, and they want to highlight the change in particular. But the space is a few feet from a doorway to exit the building-and anyone passing from one part of the library to the other has to pass it (including, potentially our TIP middle school and high school kids who spend summer camp time here in the library...)

     

    We often show female anatomy in a variety of contexts; we have wonderful history of medicine collection (we did a great flap book exhibit) and wonderful (but sometimes graphic) artists books that we have shown without any issue. The professor asked us to consider "What is the difference between showing an ancient greek naked statue vs. a 1970 pamphlet that shows images of how a woman can examine herself"?   

     

    Does anyone have any sources they would recommend? This instance is about sexuality, but I'm also interested in other subjects for this type of guideline, as we have strong civil rights and social justice collections, and have sometimes shied away from some topics for fear of offense (and not having the tools or expertise to support the topics), and I'm interested in reading more about that area as well for the future.

     

    Thank you for your consideration.

     

    m

     

    Meg Brown

    919-681-2071

    The E. Rhodes and Leona B. Carpenter Foundation Exhibits Librarian

    Duke University Libraries

    Durham, NC 27708

    meg.brown@duke.edu

    http://library.duke.edu/exhibits/

     

     

    AAM Annual Meeting & MuseumExpo, Baltimore, May 16-19, 2024, click to learn more


  • 2.  RE: what is taboo?

    Posted 04-20-2018 12:26 PM
    ​How wonderful a topic!!  Thank you.
    I can't wait to read the dialogue.
    As an aside, "free speech" is a concept for the "public square."  The interior of an institution is not the "public square" (neither, really, are the outside areas within the bounds of the campus).  Even if the public has access to a building, the governing board of the institution (regents, I'm assuming, in your case) is who "speaks" in those environs.  Even when they choose to provide an exhibit platform to faculty or students, those persons do not have "the right" of "free speech."
    Joe

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    Joe Elliott
    PhD student
    Galveston TX
    jmelliot@utmb.edu
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    AAM Annual Meeting & MuseumExpo, Baltimore, May 16-19, 2024, click to learn more


  • 3.  RE: what is taboo?

    Posted 04-23-2018 10:49 AM
    ​Oh my, what a wonderful topic Meg.  I too look forward to responses, especially if any museum has written guidelines regarding this. 

    Once upon a time it was assumed museums were neutral presenters when it came to the exhibits they offered.  Not only was this not the case, but now that museums are center-stage cultural providers that encourage public discourse, controversy can erupt at a moment's notice.  Deciding how the content of an exhibit gibes with local social norms is easy with some things.  Overt pornographic imagery comes to mind...but then,  who decides what is pornographic...  Anything that assaults leader icons such as Malcolm X, Rachel Carson or the Pope would probably cause a stir.  Then there are issues that might offend veterans.  A museum devoted to a particular ethnicity, race, gender, etc. will be disinclined to show things disrespectful of that group unless the point is to show once-prevailing prejudices (or still-prevailing ones).  Of course, subject acceptability changes.  George Washington might have been an exhibition sacred cow but now the fact that he enslaved people is part of his story.  One of my favorite museum-studies books is Displays of Power: Controversy in the American Museum from the Enola Gay to Sensation by Steven Dubin.   It tells about major exhibition controversies and summarizes how museums can be assaulted and must respond to attacks about what they show in their galleries and how.  It is a must-read for anyone even remotely interested in museums. 

    Controversy often depends on context. How a science museum might show human remains can be different that how a history or art museum would present them.  Some offensive content can is acceptable while others is not.  The famous nineteenth century printmaking firm Currier & Ives made a series of lithographs of a mythical place called Darktown.  These are derogatory cartoons of blacks doing all sorts of things in a  laughable manner as perceived from an obviously white perspective.  Only recently have museums felt it acceptable to show these prints along with the customary Currier & Ives images and with informative explanations.

    As we look forward to possible policies about what a museum should or should not exhibit, it is also essential that museums be prepared to handle complaints.  That will be as valuable as exhibition content decisions.

    Thank you,

    Steve

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    Steven Miller
    Executive Director Retired
    Boscobel House and Gardens
    Garrison NY
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    AAM Annual Meeting & MuseumExpo, Baltimore, May 16-19, 2024, click to learn more


  • 4.  RE: what is taboo?

    Posted 04-23-2018 10:30 AM
    What a touchy and tough job you have in figuring this out. I remember when I lived in MO they took down a picture of Michaelangelo's David because it was too riske. ??
    I wonder if you are posing the right question? Does anyone have a policy that governs decisions about free speech vs. respecting the potential emotional harm of their viewers?Doesn't learning, being challenged, growing and free speech mean someone may have to deal with their own emotions around it? Who is to judge what is emotional harm? That can be extremely different between all people? What is your mission? Isn't it best to stick to that even if someone is emotionally harmed? Obviously, there are risks in living a mission and values.

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    Betty Brennan
    President
    Taylor Studios, Inc.
    Rantoul IL
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    AAM Annual Meeting & MuseumExpo, Baltimore, May 16-19, 2024, click to learn more